Giacomo Puccini - La Bohème / Francesca Zambello · Tiziano Severini - M. Freni · L. Pavarotti

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In 1989 when this production was taped, Luciano Pavarotti and Mirella Freni had already enjoyed long, distinguished careers. In other words, they were considerably older than La Bohème's romantic young couple, Mimi and Rodolfo. If you find this consideration important, it might be wise to skip this Bohème and invest instead in the bright, youthful, and energetic Sydney Opera production or the visually striking 1998 Metropolitan Opera production. So far, La Bohème has fared better on DVD than any other opera, and the San Francisco Bohème faces serious competition.

But this is a vintage production deserving attention on its own merits. As a matter of survival, veteran singers learn how to make experience compensate for the loss of youth, and Freni and Pavarotti are outstanding examples of how this can be done. They are aided by a sensitive stage director, a visual treatment responsive to the opera's changing moods, and an expert supporting cast deeply involved with the story and the music. They fit convincingly in roles with which they have been living for decades; both are still in good vocal condition, and the emotions are convincingly conveyed. In the supporting cast, note the excellent performances of Gino Quilico and Nicolai Ghiaurov. --Joe McLellan

Description

Puccini's bittersweet opera of high-spirited bohemians and the doomed love between Rodolfo, the idealistic poet and Mimi, the consumptive flower-maker, is a beautifully balanced series of tableaux depicting the infectious joie de vivre of youth and the tragic waste of disease and separation. The legendary and incomparable partnership of Mirella Freni and Luciano Pavarotti as the two lovers has been captured in this special live recording from stage of the San Francisco Opera. Brian Large has adapted Francesca Zambello's production for the video, further illuminating the fascinating interaction of Puccini's deeply human characters. Gino Quilico sings Marcello, the colorful and moody painter, whose tempestuous relationship with the flirtatious Musetta (sung by Sandra Pacetti), comically mirrors the more profound love of Rodolfo and Mimi. Nicolai Ghiaurov sings Colline. "Luciano Pavarotti and Mirella Freni turned in incandescent performances as Puccini's young lovers."--San Francisco Times

Customer Reviews:

Happy Birthday MIMI.......2006-02-28

Today I received this in the mail. It arrived on Mirella Freni's 71st birthday. So I did watch it and really enjoyed it. I'm a really big Freni fan and enjoy her in this role. I like the Karajan one from the 60's better,but this one has better sound. I own the Pavarotti with Scotto one, which is also excellent and the one from Austrailia, both fine additions to any collection. However, Karajan was right when he told Mirella Freni that she was Mimi. So Happy Birthday Mirella Freni. You have been a great gift to the opera world. You are Mimi.

Heartbreaking!.......2003-06-25

Anyone who has read my reviews knows that I am the biggest Freni fan imaginable. She does not disappoint me here. Yes, at this stage, her voice is a size too large for Mimi, more suitable for heavy verismo such as Tosca, Fedora and Manon Lescaut. The voice is far heavier than in her two previous studio recordings from the 60's and 70's. The vibrato is also a trifle wider than it was but all this is amply excused by her warmth and mature insight into the role. The tragedy of Mimi has never before been so heartfully portrayed. The emotions are stronger than before and by the end of the opera she totally hits her stride and a quarter of a century melts away. This is a must for all Freni fans.
Pavarotti, unfortunately, does not begin to match Freni's contribution. As many singers, such as Freni, experience a lowering of voice and a widening of vibrato, they become greater interpereters, greater artists. For Pavarotti, you don't find this. As his vocal resources diminish, so does his artistry. he sings faster than before, without as much inspiration. Still, he musters up some of the old magic and, in the end, provides a decent, if not splendid partner to Freni.
The rest of the cast is pretty darn good. The voice of Musetta may not be the most beautiful, but she provides much pleasure for this viewer. Quilico is a great Marcello! So is Ghiaurov as Colline, the one bass that can dominate an ensemble. The conducting doesn't set me on fire, but it's not bad.....serviceable. I love the staging and the sets.

Pavarotti and Freni pretending to be bohemians.......2003-01-18

One thing I find dissapointing in many Pavarotti opera productions is that everything seems to be adapted for Pavarotti instead of Pavarotti being adapted for the plot (or the music). Everyone knows who is the star, there is no Rodolfo in Paris having a romance with a ill-fated girl; it's just Pavarotti with a wig pretending he is still able to sing a good Rodolfo and some other singers trying not to distract us. Excellent Freni does awful singing in this production and her overacting ruins her singing many times.

A special thrill for fans of Mirella Freni.......2001-11-10

As someone fell in love with Mirella Freni as Susanna in The Marriage of Figaro and who heard of her pre-eminence as a Puccini interpreter, I have been quite satisfied with this DVD. Because I am not a particularly devoted or knowledgeable fan of Puccini, I cannot really compare the merits of this version of La Boheme as opposed to any other. Nevertheless, not being immune to Puccini's legendary ability to write music that goes directly to the heart, I am invariably transported into a painful but beautiful world every time I watch this DVD.

star-studded dull performance.......2000-09-23

Despite the vocal stars (and the previous effusive reviews), this performance is quite simply dull thanks to the leaden conducting. The camera work is annoying in its preference for closeups instead of taking a nice perspective and letting us focus on the overall action. Pavarotti is certainly better than he is today but still has the annoying habit of ending phrases with an "uh". The von Karajan film with Freni & Raimondi is much better (it should be on DVD soon) and the best of all is the Australian DVD. It doesn't rely on "names" just talent and is conducted with all the passion that this version misses.

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