Amazon.com
After more than a decade of de facto exile from the mainstream, Joni Mitchell has regained much of her media profile, if not her commercial impact, thanks to deserved if belated accolades from critics and music business peers. Recent Grammy Awards and a special Billboard citation epitomize the ironies of Mitchell's '80s obscurity: Because she reached her highest profile with the broad success in 1974 of Court and Spark, which remains Mitchell's lushest, most accessible album, the Canadian musician and painter has found herself comparatively ignored in later years simply because her work ventured into more eclectic amalgams of her already diverse influences. Yet in her forays into world music, jazz, and pop collage, Mitchell has remained a prescient and influential artist.
This 1998 concert special sheds welcome light on the work from that post-Spark quarter century, its 22 songs dominated by the confessional works that have remained Mitchell's strong suit. Early favorites like "Big Yellow Taxi" and "Just Like This Train" retain their charm, but it's Mitchell's more mature pieces such as "Amelia" (from Hejira) and "Sex Kills" (from Turbulent Indigo) that convey the depth and acuity of her work. A superb band--including Brian Blade, Mark Isham, Larry Klein, and Greg Leisz--provides a sinewy, sympathetic framework well-suited to the palette of jazz, folk, and pop colors that Mitchell daubs on her songs. Adding further intimacy to the performance is a circular stage design, a small audience, and a welcome lack of "big" production effects; instead, Mitchell indulges her second career as a painter through a pre-show stroll around a gallery of her visual works.
Mitchell's frail health in the late '90s, as well as a lifetime of cigarettes, has taken a toll on her voice, which has lost much of its upper register. Yet there's also an added richness to her lower range befitting this sharp-eyed survivor's art. Old fans will also recognize the flurries of girlish laughter in between-songs patter, while savoring how Mitchell's powers as a writer and player (especially on a new, striking electric guitar) have matured as well. --Sam Sutherland
Description
Joni Mitchell, the Queen of folk/rock, performs for an intimate audience on the Warner Brothers lot in Los Angeles. This concert is classic Joni Mitchell, and her repertoire here covers the complete arc of her career. With a stage backdrop of her own paintings, this program gives a unique insight into the talents and life of Joni Mitchell.
Track Listing:
1. Tiger Bones
2. Big Yellow Taxi
3. Just Like This Train
4. Night Ride Home
5. Crazy Cries Of Love
6. Harry's House
7. Black Crow
8. Amelia
9. Hejira
10. Sex Kills
11. The Magdalene Laundries
12. Moon At The Window
13. Face Lift
14. Why Do Fools Fall In Love?
15. Trouble Man
16. Nothing Can Be Done
17. Song For Sharon
18. Woodstock
19. Dreamland
Customer Reviews:
Nice, intimate overview of Joni...........2004-08-11
Not withstanding the sound problems mentioned many times by reviewers,
this was a pretty nice overview of Joni Mitchell's work,
presented as she is now. The voice has lost much of its
original spectacular presence BUT I really like the new deeper
Joni voice. She is still capable of doing great work, just
at a lower register. The new guitar she uses is perfectly suited for
her stylings, still love the way she moves her hand across the frets making little percussive noises along the way, nobody
plays likes this. The Band is such a compliment to her music,
dreamy, lonesome, searching always relevant. Nice pedal steel
and especially the BASS work is terrific. I especially
enjoy the likes of "Comes Love" and how much she enjoys herself
taking on this style. Shes never been afraid to explore her
muse so this show comes off beautiful for the most part, whatever happened to the mixing, the most important part to me
I'll never know, it just should have been more striking considering all the time taken to look so good. This show is
a must for those who've traveled with Joni all these years and just let her be who she's become as she ages and
well for those forever lost to the 1970s and unable to deal with
the artist evolving and changing and getting along its sad. She
smokes big deal, she pays the consequenses of this but getting
back to the show, it has many great moments to recommend.
A must for Joni fans........2003-09-03
This DVD concert is magical.
It's Joni in 1998, performing in the middle of a circular venue for a small, intimate audience. An interesting aspect you notice right away is that the crowd is sitting comfortably in different types of livingroom furniture, upholstered couches and chairs, situated on different levels throughout. The entrance to the fabricated venue is an art gallery of Joni Mitchell paintings for everyone to see while entering into the performance area, which is surrounded by her artwork as well.
Once standing onstage, our lady of the canyon breaks into a fine solo rendition of 'Big Yellow Taxi'. Some will immediately recognize the echoing, hollow sound in her guitar, as guitarists will notice her playing throughout the concert in what appears to be an alternate tuning, a sweet sound full of magical tones, definitely signature Joni Mitchell, kind o' blue. She charms the audience in a laid back manner throughout the show as well, explaining lyrics and telling tales of her songs.
Following a few solo arrangements, her band takes to the stage as well. Brian Blade, Larry Klein, Mark Isham, and Greg Leisz have no problem convincing the captivated audience that they are the typical jazz professionals she's always been known to be accompanied by. I loved hearing 'Night Ride Home', 'Sex Kills', 'Nothing Can Be Done', 'Woodstock', and 'The Magdalena Laundries', among others.
This DVD is a must for those who love the music of Joni Mitchell.
A highly evolved artist.......2003-04-22
Joni Mitchell is a counterweight to Grace Slick. They both started out singing for what they thought was a revolution. When they found out they were wrong, when the revolution melted down into disco, cocaine and "greed is good," they had to go on somehow. Grace went on by letting the beautiful and wonderful Jefferson Airplane become "Starship," a mindless, schlock-rock money printing machine that fed her and some other people during the 80's. Joni put on her walking sandals, shed a tear for all that was Woodstock, then put the revolution in her pocket and kept going.
This DVD is the culmination of that journey so far, and it showcases her beautiful music, her heart-wrenching lyrics and her skills as a painter. Anyone who loved her in the 60's will be thrilled to see the beautifully mature musician, artist and woman she's become since, and anyone who isn't familiar with her, will be in for a pleasant surprise. You'll be richer by far spending a little money on this DVD.
And Grace, it isn't too late. I'm guessing that Peace and Love are due for a comeback any time now, and I'm pretty sure that we who are trying to make that happen all miss you and wish you were here. :-)
No Hejira Here.......2002-07-12
One of the many wonderful aspects of this DVD is Ms. Mitchell's storytelling, the most striking of which was how she came up with the title of her album Hejira. She explained that the definition of the word is, "...leaving the dream, no blame." Well, she has not left the dream. I have been listening to her music for 30 years, have all her albums, most on vinyl as well as CD, and I was SO mesmerized by this DVD. While she has lost the high end of her vocal range, she MORE than compensates with her style, her presence, and her incredible talent. My only complaint about the DVD is the sound quality which is spotty at times, otherwise it would be a 5 plus. The dream lives on.
If anyone knows where you can get prints of her paintings, please contact me.
Great music ---good camera work ----disappointing sound!.......2002-02-25
Hopefully this DVD can be remixed and reissued! The guitar dominated watery/echoey "mono" sounding surround sound mix(no better in 2 channel stereo), gives no presence to individual instruments. Mr.Blade suffers the most, his contribution being that of a great instrumental mime!
Amazon.com
After more than a decade of de facto exile from the mainstream, Joni Mitchell has regained much of her media profile, if not her commercial impact, thanks to deserved if belated accolades from critics and music business peers. Recent Grammy Awards and a special Billboard citation epitomize the ironies of Mitchell's '80s obscurity: Because she reached her highest profile with the broad success in 1974 of Court and Spark, which remains Mitchell's lushest, most accessible album, the Canadian musician and painter has found herself comparatively ignored in later years simply because her work ventured into more eclectic amalgams of her already diverse influences. Yet in her forays into world music, jazz, and pop collage, Mitchell has remained a prescient and influential artist.
This 1998 concert special sheds welcome light on the work from that post-Spark quarter century, its 22 songs dominated by the confessional works that have remained Mitchell's strong suit. Early favorites like "Big Yellow Taxi" and "Just Like This Train" retain their charm, but it's Mitchell's more mature pieces such as "Amelia" (from Hejira) and "Sex Kills" (from Turbulent Indigo) that convey the depth and acuity of her work. A superb band--including Brian Blade, Mark Isham, Larry Klein, and Greg Leisz--provides a sinewy, sympathetic framework well-suited to the palette of jazz, folk, and pop colors that Mitchell daubs on her songs. Adding further intimacy to the performance is a circular stage design, a small audience, and a welcome lack of "big" production effects; instead, Mitchell indulges her second career as a painter through a pre-show stroll around a gallery of her visual works.
Mitchell's frail health in the late '90s, as well as a lifetime of cigarettes, has taken a toll on her voice, which has lost much of its upper register. Yet there's also an added richness to her lower range befitting this sharp-eyed survivor's art. Old fans will also recognize the flurries of girlish laughter in between-songs patter, while savoring how Mitchell's powers as a writer and player (especially on a new, striking electric guitar) have matured as well. --Sam Sutherland
Description
Joni Mitchell, the Queen of folk/rock, performs for an intimate audience on the Warner Brothers lot in Los Angeles. This concert is classic Joni Mitchell, and her repertoire here covers the complete arc of her career. With a stage backdrop of her own paintings, this program gives a unique insight into the talents and life of Joni Mitchell. Songs: Big Yellow Taxi, Just Like This Train, Night Ride Home, Crazy Cries of Love, Harry's House, Black Crow, Amelia, Hejira, Sex Kills, The Magdelene Laundries, Moon at the Window, Facelift, Why Do Fools Fall in Love?, Trouble Man, Nothing Can Be Done, Song for Sharon, Woodstock, Dreamland.
Customer Reviews:
Nice, intimate overview of Joni...........2004-08-11
Not withstanding the sound problems mentioned many times by reviewers,
this was a pretty nice overview of Joni Mitchell's work,
presented as she is now. The voice has lost much of its
original spectacular presence BUT I really like the new deeper
Joni voice. She is still capable of doing great work, just
at a lower register. The new guitar she uses is perfectly suited for
her stylings, still love the way she moves her hand across the frets making little percussive noises along the way, nobody
plays likes this. The Band is such a compliment to her music,
dreamy, lonesome, searching always relevant. Nice pedal steel
and especially the BASS work is terrific. I especially
enjoy the likes of "Comes Love" and how much she enjoys herself
taking on this style. Shes never been afraid to explore her
muse so this show comes off beautiful for the most part, whatever happened to the mixing, the most important part to me
I'll never know, it just should have been more striking considering all the time taken to look so good. This show is
a must for those who've traveled with Joni all these years and just let her be who she's become as she ages and
well for those forever lost to the 1970s and unable to deal with
the artist evolving and changing and getting along its sad. She
smokes big deal, she pays the consequenses of this but getting
back to the show, it has many great moments to recommend.
A must for Joni fans........2003-09-03
This DVD concert is magical.
It's Joni in 1998, performing in the middle of a circular venue for a small, intimate audience. An interesting aspect you notice right away is that the crowd is sitting comfortably in different types of livingroom furniture, upholstered couches and chairs, situated on different levels throughout. The entrance to the fabricated venue is an art gallery of Joni Mitchell paintings for everyone to see while entering into the performance area, which is surrounded by her artwork as well.
Once standing onstage, our lady of the canyon breaks into a fine solo rendition of 'Big Yellow Taxi'. Some will immediately recognize the echoing, hollow sound in her guitar, as guitarists will notice her playing throughout the concert in what appears to be an alternate tuning, a sweet sound full of magical tones, definitely signature Joni Mitchell, kind o' blue. She charms the audience in a laid back manner throughout the show as well, explaining lyrics and telling tales of her songs.
Following a few solo arrangements, her band takes to the stage as well. Brian Blade, Larry Klein, Mark Isham, and Greg Leisz have no problem convincing the captivated audience that they are the typical jazz professionals she's always been known to be accompanied by. I loved hearing 'Night Ride Home', 'Sex Kills', 'Nothing Can Be Done', 'Woodstock', and 'The Magdalena Laundries', among others.
This DVD is a must for those who love the music of Joni Mitchell.
A highly evolved artist.......2003-04-22
Joni Mitchell is a counterweight to Grace Slick. They both started out singing for what they thought was a revolution. When they found out they were wrong, when the revolution melted down into disco, cocaine and "greed is good," they had to go on somehow. Grace went on by letting the beautiful and wonderful Jefferson Airplane become "Starship," a mindless, schlock-rock money printing machine that fed her and some other people during the 80's. Joni put on her walking sandals, shed a tear for all that was Woodstock, then put the revolution in her pocket and kept going.
This DVD is the culmination of that journey so far, and it showcases her beautiful music, her heart-wrenching lyrics and her skills as a painter. Anyone who loved her in the 60's will be thrilled to see the beautifully mature musician, artist and woman she's become since, and anyone who isn't familiar with her, will be in for a pleasant surprise. You'll be richer by far spending a little money on this DVD.
And Grace, it isn't too late. I'm guessing that Peace and Love are due for a comeback any time now, and I'm pretty sure that we who are trying to make that happen all miss you and wish you were here. :-)
No Hejira Here.......2002-07-12
One of the many wonderful aspects of this DVD is Ms. Mitchell's storytelling, the most striking of which was how she came up with the title of her album Hejira. She explained that the definition of the word is, "...leaving the dream, no blame." Well, she has not left the dream. I have been listening to her music for 30 years, have all her albums, most on vinyl as well as CD, and I was SO mesmerized by this DVD. While she has lost the high end of her vocal range, she MORE than compensates with her style, her presence, and her incredible talent. My only complaint about the DVD is the sound quality which is spotty at times, otherwise it would be a 5 plus. The dream lives on.
If anyone knows where you can get prints of her paintings, please contact me.
Great music ---good camera work ----disappointing sound!.......2002-02-25
Hopefully this DVD can be remixed and reissued! The guitar dominated watery/echoey "mono" sounding surround sound mix(no better in 2 channel stereo), gives no presence to individual instruments. Mr.Blade suffers the most, his contribution being that of a great instrumental mime!
Amazon.com
After more than a decade of de facto exile from the mainstream, Joni Mitchell has regained much of her media profile, if not her commercial impact, thanks to deserved if belated accolades from critics and music business peers. Recent Grammy Awards and a special Billboard citation epitomize the ironies of Mitchell's '80s obscurity: Because she reached her highest profile with the broad success in 1974 of Court and Spark, which remains Mitchell's lushest, most accessible album, the Canadian musician and painter has found herself comparatively ignored in later years simply because her work ventured into more eclectic amalgams of her already diverse influences. Yet in her forays into world music, jazz, and pop collage, Mitchell has remained a prescient and influential artist.
This 1998 concert special sheds welcome light on the work from that post-Spark quarter century, its 22 songs dominated by the confessional works that have remained Mitchell's strong suit. Early favorites like "Big Yellow Taxi" and "Just Like This Train" retain their charm, but it's Mitchell's more mature pieces such as "Amelia" (from Hejira) and "Sex Kills" (from Turbulent Indigo) that convey the depth and acuity of her work. A superb band--including Brian Blade, Mark Isham, Larry Klein, and Greg Leisz--provides a sinewy, sympathetic framework well-suited to the palette of jazz, folk, and pop colors that Mitchell daubs on her songs. Adding further intimacy to the performance is a circular stage design, a small audience, and a welcome lack of "big" production effects; instead, Mitchell indulges her second career as a painter through a pre-show stroll around a gallery of her visual works.
Mitchell's frail health in the late '90s, as well as a lifetime of cigarettes, has taken a toll on her voice, which has lost much of its upper register. Yet there's also an added richness to her lower range befitting this sharp-eyed survivor's art. Old fans will also recognize the flurries of girlish laughter in between-songs patter, while savoring how Mitchell's powers as a writer and player (especially on a new, striking electric guitar) have matured as well. --Sam Sutherland
Description
Joni Mitchell, the Queen of folk/rock, performs for an intimate audience on the Warner Brothers lot in Los Angeles. This concert is classic Joni Mitchell, and her repertoire here covers the complete arc of her career. With a stage backdrop of her own paintings, this program gives a unique insight into the talents and life of Joni Mitchell. Songs: Big Yellow Taxi, Just Like This Train, Night Ride Home, Crazy Cries of Love, Harry's House, Black Crow, Amelia, Hejira, Sex Kills, The Magdelene Laundries, Moon at the Window, Facelift, Why Do Fools Fall in Love?, Trouble Man, Nothing Can Be Done, Song for Sharon, Woodstock, Dreamland.
Customer Reviews:
Nice, intimate overview of Joni...........2004-08-11
Not withstanding the sound problems mentioned many times by reviewers,
this was a pretty nice overview of Joni Mitchell's work,
presented as she is now. The voice has lost much of its
original spectacular presence BUT I really like the new deeper
Joni voice. She is still capable of doing great work, just
at a lower register. The new guitar she uses is perfectly suited for
her stylings, still love the way she moves her hand across the frets making little percussive noises along the way, nobody
plays likes this. The Band is such a compliment to her music,
dreamy, lonesome, searching always relevant. Nice pedal steel
and especially the BASS work is terrific. I especially
enjoy the likes of "Comes Love" and how much she enjoys herself
taking on this style. Shes never been afraid to explore her
muse so this show comes off beautiful for the most part, whatever happened to the mixing, the most important part to me
I'll never know, it just should have been more striking considering all the time taken to look so good. This show is
a must for those who've traveled with Joni all these years and just let her be who she's become as she ages and
well for those forever lost to the 1970s and unable to deal with
the artist evolving and changing and getting along its sad. She
smokes big deal, she pays the consequenses of this but getting
back to the show, it has many great moments to recommend.
A must for Joni fans........2003-09-03
This DVD concert is magical.
It's Joni in 1998, performing in the middle of a circular venue for a small, intimate audience. An interesting aspect you notice right away is that the crowd is sitting comfortably in different types of livingroom furniture, upholstered couches and chairs, situated on different levels throughout. The entrance to the fabricated venue is an art gallery of Joni Mitchell paintings for everyone to see while entering into the performance area, which is surrounded by her artwork as well.
Once standing onstage, our lady of the canyon breaks into a fine solo rendition of 'Big Yellow Taxi'. Some will immediately recognize the echoing, hollow sound in her guitar, as guitarists will notice her playing throughout the concert in what appears to be an alternate tuning, a sweet sound full of magical tones, definitely signature Joni Mitchell, kind o' blue. She charms the audience in a laid back manner throughout the show as well, explaining lyrics and telling tales of her songs.
Following a few solo arrangements, her band takes to the stage as well. Brian Blade, Larry Klein, Mark Isham, and Greg Leisz have no problem convincing the captivated audience that they are the typical jazz professionals she's always been known to be accompanied by. I loved hearing 'Night Ride Home', 'Sex Kills', 'Nothing Can Be Done', 'Woodstock', and 'The Magdalena Laundries', among others.
This DVD is a must for those who love the music of Joni Mitchell.
A highly evolved artist.......2003-04-22
Joni Mitchell is a counterweight to Grace Slick. They both started out singing for what they thought was a revolution. When they found out they were wrong, when the revolution melted down into disco, cocaine and "greed is good," they had to go on somehow. Grace went on by letting the beautiful and wonderful Jefferson Airplane become "Starship," a mindless, schlock-rock money printing machine that fed her and some other people during the 80's. Joni put on her walking sandals, shed a tear for all that was Woodstock, then put the revolution in her pocket and kept going.
This DVD is the culmination of that journey so far, and it showcases her beautiful music, her heart-wrenching lyrics and her skills as a painter. Anyone who loved her in the 60's will be thrilled to see the beautifully mature musician, artist and woman she's become since, and anyone who isn't familiar with her, will be in for a pleasant surprise. You'll be richer by far spending a little money on this DVD.
And Grace, it isn't too late. I'm guessing that Peace and Love are due for a comeback any time now, and I'm pretty sure that we who are trying to make that happen all miss you and wish you were here. :-)
No Hejira Here.......2002-07-12
One of the many wonderful aspects of this DVD is Ms. Mitchell's storytelling, the most striking of which was how she came up with the title of her album Hejira. She explained that the definition of the word is, "...leaving the dream, no blame." Well, she has not left the dream. I have been listening to her music for 30 years, have all her albums, most on vinyl as well as CD, and I was SO mesmerized by this DVD. While she has lost the high end of her vocal range, she MORE than compensates with her style, her presence, and her incredible talent. My only complaint about the DVD is the sound quality which is spotty at times, otherwise it would be a 5 plus. The dream lives on.
If anyone knows where you can get prints of her paintings, please contact me.
Great music ---good camera work ----disappointing sound!.......2002-02-25
Hopefully this DVD can be remixed and reissued! The guitar dominated watery/echoey "mono" sounding surround sound mix(no better in 2 channel stereo), gives no presence to individual instruments. Mr.Blade suffers the most, his contribution being that of a great instrumental mime!
Amazon.com
After more than a decade of de facto exile from the mainstream, Joni Mitchell has regained much of her media profile, if not her commercial impact, thanks to deserved if belated accolades from critics and music business peers. Recent Grammy Awards and a special Billboard citation epitomize the ironies of Mitchell's '80s obscurity: Because she reached her highest profile with the broad success in 1974 of Court and Spark, which remains Mitchell's lushest, most accessible album, the Canadian musician and painter has found herself comparatively ignored in later years simply because her work ventured into more eclectic amalgams of her already diverse influences. Yet in her forays into world music, jazz, and pop collage, Mitchell has remained a prescient and influential artist.
This 1998 concert special sheds welcome light on the work from that post-Spark quarter century, its 22 songs dominated by the confessional works that have remained Mitchell's strong suit. Early favorites like "Big Yellow Taxi" and "Just Like This Train" retain their charm, but it's Mitchell's more mature pieces such as "Amelia" (from Hejira) and "Sex Kills" (from Turbulent Indigo) that convey the depth and acuity of her work. A superb band--including Brian Blade, Mark Isham, Larry Klein, and Greg Leisz--provides a sinewy, sympathetic framework well-suited to the palette of jazz, folk, and pop colors that Mitchell daubs on her songs. Adding further intimacy to the performance is a circular stage design, a small audience, and a welcome lack of "big" production effects; instead, Mitchell indulges her second career as a painter through a pre-show stroll around a gallery of her visual works.
Mitchell's frail health in the late '90s, as well as a lifetime of cigarettes, has taken a toll on her voice, which has lost much of its upper register. Yet there's also an added richness to her lower range befitting this sharp-eyed survivor's art. Old fans will also recognize the flurries of girlish laughter in between-songs patter, while savoring how Mitchell's powers as a writer and player (especially on a new, striking electric guitar) have matured as well. --Sam Sutherland
Customer Reviews:
Nice, intimate overview of Joni...........2004-08-11
Not withstanding the sound problems mentioned many times by reviewers,
this was a pretty nice overview of Joni Mitchell's work,
presented as she is now. The voice has lost much of its
original spectacular presence BUT I really like the new deeper
Joni voice. She is still capable of doing great work, just
at a lower register. The new guitar she uses is perfectly suited for
her stylings, still love the way she moves her hand across the frets making little percussive noises along the way, nobody
plays likes this. The Band is such a compliment to her music,
dreamy, lonesome, searching always relevant. Nice pedal steel
and especially the BASS work is terrific. I especially
enjoy the likes of "Comes Love" and how much she enjoys herself
taking on this style. Shes never been afraid to explore her
muse so this show comes off beautiful for the most part, whatever happened to the mixing, the most important part to me
I'll never know, it just should have been more striking considering all the time taken to look so good. This show is
a must for those who've traveled with Joni all these years and just let her be who she's become as she ages and
well for those forever lost to the 1970s and unable to deal with
the artist evolving and changing and getting along its sad. She
smokes big deal, she pays the consequenses of this but getting
back to the show, it has many great moments to recommend.
A must for Joni fans........2003-09-03
This DVD concert is magical.
It's Joni in 1998, performing in the middle of a circular venue for a small, intimate audience. An interesting aspect you notice right away is that the crowd is sitting comfortably in different types of livingroom furniture, upholstered couches and chairs, situated on different levels throughout. The entrance to the fabricated venue is an art gallery of Joni Mitchell paintings for everyone to see while entering into the performance area, which is surrounded by her artwork as well.
Once standing onstage, our lady of the canyon breaks into a fine solo rendition of 'Big Yellow Taxi'. Some will immediately recognize the echoing, hollow sound in her guitar, as guitarists will notice her playing throughout the concert in what appears to be an alternate tuning, a sweet sound full of magical tones, definitely signature Joni Mitchell, kind o' blue. She charms the audience in a laid back manner throughout the show as well, explaining lyrics and telling tales of her songs.
Following a few solo arrangements, her band takes to the stage as well. Brian Blade, Larry Klein, Mark Isham, and Greg Leisz have no problem convincing the captivated audience that they are the typical jazz professionals she's always been known to be accompanied by. I loved hearing 'Night Ride Home', 'Sex Kills', 'Nothing Can Be Done', 'Woodstock', and 'The Magdalena Laundries', among others.
This DVD is a must for those who love the music of Joni Mitchell.
A highly evolved artist.......2003-04-22
Joni Mitchell is a counterweight to Grace Slick. They both started out singing for what they thought was a revolution. When they found out they were wrong, when the revolution melted down into disco, cocaine and "greed is good," they had to go on somehow. Grace went on by letting the beautiful and wonderful Jefferson Airplane become "Starship," a mindless, schlock-rock money printing machine that fed her and some other people during the 80's. Joni put on her walking sandals, shed a tear for all that was Woodstock, then put the revolution in her pocket and kept going.
This DVD is the culmination of that journey so far, and it showcases her beautiful music, her heart-wrenching lyrics and her skills as a painter. Anyone who loved her in the 60's will be thrilled to see the beautifully mature musician, artist and woman she's become since, and anyone who isn't familiar with her, will be in for a pleasant surprise. You'll be richer by far spending a little money on this DVD.
And Grace, it isn't too late. I'm guessing that Peace and Love are due for a comeback any time now, and I'm pretty sure that we who are trying to make that happen all miss you and wish you were here. :-)
No Hejira Here.......2002-07-12
One of the many wonderful aspects of this DVD is Ms. Mitchell's storytelling, the most striking of which was how she came up with the title of her album Hejira. She explained that the definition of the word is, "...leaving the dream, no blame." Well, she has not left the dream. I have been listening to her music for 30 years, have all her albums, most on vinyl as well as CD, and I was SO mesmerized by this DVD. While she has lost the high end of her vocal range, she MORE than compensates with her style, her presence, and her incredible talent. My only complaint about the DVD is the sound quality which is spotty at times, otherwise it would be a 5 plus. The dream lives on.
If anyone knows where you can get prints of her paintings, please contact me.
Great music ---good camera work ----disappointing sound!.......2002-02-25
Hopefully this DVD can be remixed and reissued! The guitar dominated watery/echoey "mono" sounding surround sound mix(no better in 2 channel stereo), gives no presence to individual instruments. Mr.Blade suffers the most, his contribution being that of a great instrumental mime!
DVD:
- Kutless - Kutless (Collectors Series)
- Live and Clips
- Live at Sculler's Jazz Club
- Live from Las Vegas
- Live in Myrtle Beach
- Live in Texas 1981
- Mad Capsule Markets - Osc-Dis Video
- Made You Look: God's Son Live
- Manzotti - Excelsior / Romagna, Massimi, Seabra, Bolle, Benaglia, La Scala Ballet
- Marty Robbins At Town Hall Party
DVD
DVD
Folk Rock
| Rock
| Styles
| Music
Joni Mitchell - Refuge of the Roads
Joni Mitchell - Woman of Heart and Mind: A Life Story
Joni Mitchell - Shadows and Light
Joni Mitchell - Collectors Edition
Song To A Seagull
